'Materialists' Review: Celine Song's Sharp Satire on Love in the Age of Algorithms
Celine Song’s sophomore feature, Materialists, opens with an unexpected image: a prehistoric couple standing together, perhaps in love, perhaps just surviving. It’s a jarring yet deliberate prelude to a film steeped in the cold calculations of contemporary romance—where love, like everything else in a hypermodern New York, is a matter of metrics. Chris Evans, Dakota Johnson, and Pedro Pascal for 'Materialists.' A24 Following her critically acclaimed debut Past Lives, Song shifts tone and tempo. Materialists is edgier, more sardonic, less about longing and more about navigating the absurdities of modern dating. Where Past Lives mourned love postponed, Materialists questions whether love, in an age of apps and algorithms, can even be real. At the center of this romantic economy is Lucy, played with icy precision by Dakota Johnson. A professional matchmaker with nine successful marriages under her belt, Lucy approaches romance like a financial planner: method...